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3 creative paths, one goal.
Contents:
  1. Work better, faster.
  2. How to Master a Song – Simple 7 Step Mastering Formula
  3. Studio One | PreSonus
  4. Mixing & Mastering
  5. What is mastering?

Aux vs. Inserts: to Send or Not to Send? Are You Listening? Why is it Important?

Work better, faster.

What Is Reverb? No problem. Visual Mixer - NEW! A well-produced track is like a top-shelf steak—overcook it and you just might ruin it.

1. Vocal Widening Trick

Here are a few tips to help you know when to let go of your perfectionism and call your project done. Keep orchestration in scope Arrangement is at least as much about finding a balance between perfectionism and practicality as it is about demonstrating the breadth of your multifaceted musical intellect. Compress with baby steps Compressors are incredibly tempting to use, especially when applying them to things like bass, kick drums, or vocals that tend to exhibit extreme dynamic peaks and valleys in volume.

Save multiple versions One way to give yourself options and time to ruminate on whether you think a track is finished or not is to save multiple versions. Do the cross-system check Before you commit to which version of your track you want to save as the final master, play it on as many different audio set-ups you can find: your home stereo, car stereo, home computer, headphones, boom box, Bluetooth speaker, and iPhone ear-buds. Keep your mantras humming Mantras are meant to relax and focus you; keep them humming in the back of your head as you process, process, process. GLX-D Digital features intelligent technology and convenient rechargeable power options for musicians who run their own sound.

Shure Wireless Sound Isolating Earphones block distractions with a comfortable, secure fit to keep music in your ears and puts rhythm in your routine. Premium Closed-Back Headphones deliver world-class audio performance, comfort and durability to professional engineers, musicians and audiophiles. Networked array microphones: versatile and elegant AV conferencing solutions that discreetly and precisely capture the richness of the human voice.

Connecting any XLR mic or 6. Shure Headphones: SRH Find the best headphones for you Find the best headphones for you.

How to Master a Song – Simple 7 Step Mastering Formula

Home Studio. Professional Studio. Related Applications Related Applications. Application Overview. Home Recording. Mobile Recording. Studio Recording. Related Articles Related Articles. April 07, Marten Berger hits the streets of Europe with help from Shure.

March 29, Engineer Spotlight: Olga Fitzroy. February 23, Educational Content. September 12, November 23, Recording Drums part 6 - bringing it all together. May 14, Recording Drums part 5 - phase cancellation. May 12, Recording Drums part 4 - Compression. May 08, Recording Drums part 3 - Gates. May 06, Recording Drums part 2 - EQ for Drums. May 01, Recording and Mixing Electric Guitars. April 22, Recording Drums: part 1 - Setting up and Microphone technique.

Studio One | PreSonus

March 31, How to Record and Mix Vocals. February 06, Will recording vocals with a dynamic mic sound better in a lively room? November 26, August 22, June 09, June 02, Unusual Recording Techniques: Trash Mic. April 09, So, let me give you some go-to mastering compression settings to get you started.

You can use this as a reference when mastering your tracks. These are the basic settings I use when compressing my overall mix buss, or while mastering a song.


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  • Peak Volume VS Perceived Volume (RMS)!
  • Why master?.
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If you don't understand exactly what the various controls on a compressor are doing, chances are, you're doing more harm to your songs than good. Compression is a powerful tool that allows us to bring out the energy, power, punch, and nuances in a track. Learning how to use it correctly is an essential part of producing modern music. If you're ready to master this skill and you'd like a simple, step by step guide, check out my ' Compression Made Simple ' program where I'll show you exactly how to use the power of compression to bring out the best in your tracks.

Have you ever compared one of your tracks to some insanely loud record and just shook your head in disbelief? If you like it LOUD, clipping is your friend. So, why in the name of all things good and holy would we want to put something like this on our entire track?? Good question. Basically, there are two types of clipping. The worst sounding clipping is pure digital clipping. OK, so then where does clipping fit into mastering? And what is good clipping?

Mixing & Mastering

Glad you asked! Good clipping is any type of clipping that sounds good. With that said, soft clipping can be used in the mastering phase to squeeze out that extra little bit of volume you may be looking for. The pros tend to use very expensive analog to digital converters which happen to have some fancy built-in circuits which prevent digital overloads.


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Still confused? Instead of me spending another thousand words trying to explain clipping, let me just show you this picture…. Now that we know what the mastering pros are doing, we can try to mimic that using some kind of plugin. If you want to find out more about the soft clipper plugin and check the current price, here it is: T-RackS Soft Clipper.

They also offer it in a few different bundles. The Classic bundle gives you an EQ, compressor, and limiter, along with the clipper. You can find out more about that over here: T-RackS Classic bundle. A limiter can help you to make your masters as loud as possible — without clipping.

What is mastering?

Even if you do absolutely nothing else during mastering, make sure that you use a limiter. In fact, if the mix is really good, often the only thing you need is a limiter to finish off your master. A rev limiter basically limits the revs from getting too high and causing some serious damage. Digital clipping happens at 0dB. As far as digital audio is concerned, there is no value for anything above 0dB, so it just outputs a harsh clipping sound which we always want to avoid.

However, we also want our masters to sound loud — or at least in the same volume range as other commercial masters. The problem is, if we bring up the overall level of a track, the audio peaks those sticking out parts you see on an audio waveform are going to start clipping. A limiter allows as to bring up the overall level of the track without letting the peaks clip. Now of course, like anything, there is a limit no pun intended to which we can push a limiter before it starts sounding obviously compressed.